When you see [the pictures] you can see he's spinning in a direction that's probably not helping his cause.

You used to think the suspect was the guy with the cornrows; now you see the police officers with the cornrows.

It is always a pleasure to be directed by an actor because they know the scene from the actor's perspective, too. That's an advantage.

You can get away with a lot as long as it has a silly edge to it.

I care about narrative structure; I care about how stories unfold.