I have been dubbing since 2006.
I feel blessed that I got an opportunity to work with the likes of A. R. Rahman, Vishal-Shekhar among others.
It was one of the best experiences in my life to work with Director Prem.
I have sung all the songs in '96,' and I have dubbed for the film as well.
I have won many awards for my singing, and I have sung in 8 languages.
I do more singing than dubbing.
A song like 'Kilimanjaro,' which is such a fun, entertaining track... Singing the song was an amazing experience.
Also, there is a way I like to lead my life, which would adhere to certain norms. Anything that goes beyond that is not my purview.
No singer who sings for Rahman sir would ever say they were nervous to sing for him, especially during the session.
I am grateful to Rahman sir. There is no way I can repay the graces he has extended to me by making me sing his compositions.
It is quite normal these days to record a song in the absence of the composer.
I like the continuity of singing my lines together instead of going line by line.
Of course making money and being able to live life the way one desires is important.
Of all my dubbing projects, the toughest one has been 'Eega!'
I've been passionate about singing for as long as I can recall.
Music inspires me, and I'm grateful that I've been able to make a career out of something that I'm so connected to.
I agree that when you sing for Bollywood, the reach is bigger. But I don't want to concentrate on any industry in particular.
A man might actually brush off vulgar tweets that come to him. Women are likely to be affected by it.
I love baking.
I don't really look at dubbing from a singer's shoes.
There is mental as well as physical fatigue. You have to cry, scream, keep on repeating the same dialogue till you get it right.
I was brought up by my mother, and she is my guru in classical singing. I have trained primarily under her.
Rahman sir has a sweet sense of humour. He chuckles a lot and is very friendly.
