I run every day. It keeps me sane and it's my meditation.
There's something rhythmic about running, so it's not surprising that I love it. I'm a bass player, after all.
What happens with writing a song and demoing it, for me the demo always becomes the master.
MySpace is just spam central. I mean, every day I just get mail inviting me to gigs that are nowhere near Los Angeles!
My kids don't really buy albums. They buy singles.
I find that albums generally tell a story. Because it's music, it doesn't have to be in chronological order.
I think when you finish an album, you tend to have your favorites, where a lot of the time are not the singles.
We released 'Mad World' as a single because we felt the music press would like it.
Naturally, in a band or duo, it's really about compromise which isn't necessarily a bad thing.
Tears for Fears is me and Roland.
I normally don't do interviews on the road.
Normally the amount of music we have is what you hear on the album and that's it.
Leading into 'The Hurting,' what changed our view of music was Gary Numan.
You find it hard to deal with certain things and as you get older it becomes easier.
We are lucky to have had the longevity we've had, garnering new people. I've even become cool to my daughters' friends.
I think psychology still has a sway over everything we do, but music, in and of itself, is the therapy.
I view making records as a journey.
I went through a divorce during the 'Seeds of Love' album.
I write music for film because I love it.
It's always good to be somewhere with some history, maybe that's England, which has a long history.
Japanese Breakfast has recorded a beautiful, ethereal reimagining of 'Head Over Heels.'
Laurel Canyon area music is legendary.
Me and Roland used to fight a lot.
More than anything else, being famous just didn't agree with me.
My private life, my relationships are much, much more important than my career.
