I think people forget that a lot of directing is just real management of the size of a production.
It is a myth to think that sometimes creative disagreement doesn't necessarily produce a better result.
For me, one of the privileges of being a writer is to poke your nose around and learn about worlds you don't know.
Part of what's so tricky in a film that's two hours long is how many themes can you effectively explore.
I learned a lot doing 'Wolverine,' and I was also very fortunate, in the sense that I got to do a huge number of visual effects shots.
When we watch stories, we learn empathy, we learn compassion, and hopefully we achieve some sort of understanding.
3D prefers you to use wider lenses because when things are out of focus, and yet it's in 3D, it bothers you.