To acknowledge the beginnings of people is a beautiful thing.
For me, you could say my big West End debut was 'Cursed Child,' but I'm in my 40s, and it's like, 'When is that beginning?'
I have been that actor who's watched peers and thought, 'God, they're doing well. I'll never get there.'
It's hard; this business of acting is hard.
My mum's a single mum, I'm a single mum, and you do find yourself rushing around just to make sure everything's all right.
If I think even a week ahead, I get terrified. My big thing is trying to enjoy the moment as much as I can.
However popular you are, you still feel like an outsider.
Stop worrying what other people think.
I remember, being young is a scary, wonderful feeling.
I am so lucky I get to work with amazing, amazing people.
I've always been curious about the other worlds we can shift into in our imaginations.
I'm working with theatre-makers who are the top of their game, and it's extraordinary.
We're storytellers - and if the story is told well, you go with the form.
There are so many directors, young and old, around - all doing their thing and struggling.
I don't do the victim mode. I don't do blame. I can't bear that.
