Your average sitcom writer is a very intellectual person.
You know, it's nice on a sitcom to have an audience there, but there's still a wall of cameras between you and them.
Yeah, the sitcom world is dead. It's all reality.
With sitcom writing, you're trying to write stories.
What you aspire to on a sitcom is the feeling of live comedy.
Truly, with a sitcom and the rhythms of comedy... Music is so helpful in that area of life.
There was a time when I couldn't watch sitcoms for a while because it was just cacophony, it was just noise.
There is absolutely no way for a sitcom to be a challenge to me.
Sitcoms are what got me excited about show business.
Sitcoms are usually sweet with no viciousness.
Sitcoms are usually given short shrift by the acting profession, but it's quite an amazing job.
Sitcoms are making a comeback, but you've got to have a little quirkiness in there now.
Sitcoms are fun. The whole multi-cam genre is always a lot of fun. You throw a live audience in the mix, and it's even better.
Sitcom storylines are usually incredibly contrived.
Sitcom is the best gig in show business because it's easy hours, nine to five.
I had done the sitcom thing to lesser and lesser degrees of success.
I personally like sitcom TV to be able to portray characters that I can relate to.
A sitcom isn't usually the right tool for satire.
I had developed a sitcom with UPN, but it wasn't picked up.
I was in one of the first sitcoms that had a lot of Asians in it. It was called 'Gung Ho' on ABC.
It's much harder to have a BBC One sitcom than to have a tour of stand-up.
Getting to be the 'weird roommate' on a sitcom was a dream come true.
As far as sitcoms go, I thought Jenna Elfman in 'Dharma and Greg' was a wonderful physical comedienne who had great timing.
